On May 29, Apple TV+ does two things at once: it closes the fifth season of For All Mankind and premieres its spin-off, City of Stars, from the same creators. The original series has spent seven years telling the alternate space race from Houston, while the new project reimagines it from Moscow, within the Soviet space program that, in this Ukrainian-flavored universe, reached the Moon earlier.
For All Mankind began in 2019 with a simple premise: what if the Soviets had put a man on the Moon before the Americans? The show has gradually expanded that parallel vision to Mars and beyond, accumulating five installments and a sixth—already confirmed as the finale—that will bring the full narrative arc to a close. City of Stars is a prequel that returns to the seventies, the founding moment of that alternate universe, but with the perspective flipped.
Where For All Mankind treated a Soviet triumph as a starting point and examined it from the American side, the spin-off sets itself inside the Soviet space program: laboratories, cosmonaut barracks, corridors watched by the KGB. It’s an excellent backdrop for a project that preserves the core team from the later seasons of its predecessor, including Ronald D. Moore, the writer renowned for Battlestar Galactica, Star Trek: The Next Generation, and Deep Space Nine.
The cast is led by Rhys Ifans in a role inspired by Soviet engineer Sergei Korolev (who died in 1966 but survives in this universe and has propelled the space program to heights previously unseen). And the tone of City of Stars clearly diverges from that of its parent series: if For All Mankind offered a humanitarian space-adventure drama, here we tilt toward a espionage thriller also drawn from the real-life Soviet project, where spacecraft were less reliable than their American counterparts, deaths were concealed from the outside world, and the KGB’s influence extended into mission control.
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